Brand new album from Yann Tiersen and his tenth long-player so far... + LP version is on double heavyweight vinyl...
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https://driftrecords.com/products/yann-tiersen-all991431360559Yann Tiersen - ALL//cdn.shopify.com/s/files/1/0161/8690/products/CDSTUMM432_large.JPG?v=1539692175//cdn.shopify.com/s/files/1/0161/8690/products/CDSTUMM432_medium.JPG?v=153969217510.99GBPInStockYann TiersenContemporary ClassicalEverything In Stock at DriftMuteYann Tiersen
Brand new album from Yann Tiersen and his tenth long-player so far...
+ LP version is on double heavyweight vinyl with an etched fourth side. + Includes download.
'ALL' is the first album to be recorded at Tiersen’s new studio, venue and community centre, The Eskal, built in an abandoned discotheque on the island of Ushant, a small island positioned in the Celtic sea between Brittany and Cornwall, Tiersen’s home for the past 10 years.
The album, mixed and co-produced by Gareth Jones, continues the themes of environment and a connection to nature first explored on 'EUSA', incorporating recordings from outside of Brittany, such as the redwood forests of California as well as field recordings from Tempelhof airport in Berlin (on ‘Tempelhof’), plus guest vocalists.
Yann Tiersen’s previous album release 'EUSA' (2016) was preceded by two sold-out dates at the Barbican in London, and Yann Tiersen has continued to perform in some of the world’s most prestigious venues and festivals - including the Edinburgh International Festival, the Berlin Philharmonic, Officine Grandi Riparazioni in Turin, Teatro Principal in Zaragoza, Odeon of Herodes Atticus in Athens, Sydney Opera House and the Grand Hall of the Philharmonia in St Petersburg.
Tempelhof Koad (Wood) Erc’h (Anow) Usal Road Pell (Far) Bloavezhioù (Years) Heol (Sun) Gwennilied (Swallows) Aon (Fear) Prad (Meadow) Beure Kentañ (First Morning)
Praise for 'Eusa': "… brimming with aching melody." – MOJO, 4/5. “With each listen you uncover another facet not just of this complex and charming album, but of yourself too.” - Drowned In Sound, 8/10. “…a beautiful piece of work…” - The Quietus. “'EUSA' is a faultless work.” - Record Collector, 5/5.
Live reviews: “…innovative, constantly shifting and seeking to build on that landscape he evokes with each note." – The Independent, 4*. "...devastatingly effective way with a melody." – The Guardian, 4*.