Somewhere between utopia and dystopia The Longcut have constructed their own monolithic world. Impossible to place but undoubtedly familiar, on...
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Somewhere between utopia and dystopia The Longcut have constructed their own monolithic world. Impossible to place but undoubtedly familiar, on their new record Arrows, Manchester’s sonic architects have carved out their own Upside Down within the crevices of the North; sublimely sweet, bittersweet and bleak, where concrete blockades loom large, but songbirds emerge from clouds overhead.
“Much of Arrows was born out of frustration with the whole process,” reveals the band’s vocalist and drummer, Stuart Ogilvie of the album’s brutal leanings. “Like even when you know good things are happening in your life, other situations can get you down. That balance or imbalance is felt by everyone so hopefully people can hear this journey and relate.”
+ Limited 500 pressing, transparent blue vinyl.
7 years in the works but much less time in the making, several cuts of each song and two versions of the album later, Arrows embodies aggravation. Sliced, diced and layered up again for the 21st Century, Arrows shows strength from struggle through its stark contrasts; “We were going to call it ‘Monuments’ because of this process of chipping away and adding things,” tells bassist, Jon Fearon. “Eventually we settled on ‘Arrows’; it’d be easy to read too much into it but really, it’s about people. ‘Arrows’ was also the track that pushed us to finish the record, even when it was tough.”
Chiselled from chopped up loops, original demos, welding together long improvisations then building, re-recording and fine-tuning, Arrows captures many moments in time. Not least, the whisky-fuelled home recording sessions where kitchen shelves were rearranged to re-amp bass parts at full volume and bedrooms were transformed into control rooms strewn with amps and microphones. It may have taken its time, but throughout the record’s walls of sound, tortured beauty lies within; “You can go from nothing to something very quickly when you eventually get going,” says guitarist, Lee Gale.
Raw, brutal, pounding the senses and always from the heart, The Longcut are ready to launch Arrows into 2018’s bleak and beautiful horizon.