There is this curious equilibrium to existence: In order to create balance, the universe must giveth, and the universe must...
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https://driftrecords.com/products/kyle-craft-showboat-honey1184129024047Kyle Craft - Showboat Honey//cdn.shopify.com/s/files/1/0161/8690/products/SP1311X_large.jpg?v=1571438667//cdn.shopify.com/s/files/1/0161/8690/products/SP1311X_medium.jpg?v=157143866723.99GBPInStockKyle CraftDrift Winter SaleEverything In Stock at DriftGoogle 2018Indie & AlternativeIndie Record Shop ExclusiveKyle CraftRecords of the Year 2019Sub Pop
There is this curious equilibrium to existence: In order to create balance, the universe must giveth, and the universe must taketh. Kyle Craft, with his now solidified backing band, dubbed Showboat Honey, know this all too well. And this is why their self-titled album, the contemplative yet restless Showboat Honey reflects that sturm und drang.
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“This is basically an album centred around bad luck and good fortune hitting at the same time” Craft explains “Then, out of nowhere, I find love. Everything went to shit except that. I guess that’s how life works.” The sticky-sweet title of the album is lifted from the brightly choral 'Buzzkill Caterwaul': “Once you were the showboat honey/But your ship sailed out.” “I wanted to make something that sounded like a raucous collision of Leon Russell and Patti Smith,” he says, “But ‘Buzzkill Caterwaul’ was the only tune that ended up showcasing that vision.”
Though aesthetics veer from song to song, Showboat Honey’s steadfast formula remains the same. Drummer Haven Mutlz holds down the machine with a ’60s /’70s fast-molasses groove that locks in with the slinky rolling bass of Billy Slater. When Kevin Clark isn’t bouncing across the piano, his mellotron strings swell in and out of frame. Jack of all trades Ben Steinmetz’s organ parts well up from the deep of the songs, while lead guitarist Jeremy Kale’s solos rip through them like electricity. On top of it all, sits the tongue-in-cheek phantasmagoria created by Craft’s lyrics, in which perspectives shift to imbue life into a cast of intriguing, mysterious characters, à la Bob Dylan. (“There is not a single thing in my life that has affected me more than the first time I heard Dylan,” says Craft. “It immediately changed my life.”) Craft started writing about as soon as he could play the guitar at the age of 15. He grew up in the isolated Mississippi River town of Vidalia, Louisiana where his chops weren’t honed in a woodshed, but rather an old, dingy meat freezer that was out of commission. After years of touring, two LPs with Sub Pop Records, and solidifying the band, he’s grown into a prodigious songwriter, to say the least. The band recorded Showboat Honey—co-produced by Craft, Clark, and Slater—at their own Moonbase Studios in Portland over 2018. “We approached this record differently for sure,” Craft says. “I’d make a demo, and after putting the songs together, shoot it to the band for ideas.” Kyle and the members of Showboat Honey worked at such a feverish wine-fuelled pace that they actually ended up with two completely different albums. But at the end of the day, they decided to combine the two into what is now Showboat Honey, a moonstruck rock’n’ roll record teeming with reckless abandon.
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