Jet Plane and Oxbow was produced by Danny Reisch at studios in Austin and Los Angeles and is definitely Shearwater’s biggest...
https://driftrecords.com/products/shearwater-jet-plane-and-oxbow3892875268Shearwater - Jet Plane and Oxbow//cdn.shopify.com/s/files/1/0161/8690/products/SPCD1112_large.jpg?v=1504830491//cdn.shopify.com/s/files/1/0161/8690/products/SPCD1112_medium.jpg?v=15048304918.99GBPInStockShearwaterBoxing Day SaleEaster 2016Everything In Stock at DriftGoogle 2018Indie & AlternativeIndie Record Shop ExclusiveRecords of the Year 2016SALE2016ShearwaterSub PopJet Plane and Oxbow was produced by Danny Reisch at studios in Austin and Los Angeles and is definitely Shearwater’s biggest and loudest record.
It’s easy to imagine these songs roaring from the stage - but it’s also their most detailed and intricate one. Front man Jonathan Meiburg and producer / engineer Reisch spent two years crafting ‘Jet Plane And Oxbow’ with help from drummer Cully Symington, longtime Shearwater associates Howard Draper and Lucas Oswald and tourmates Jesca Hoop, Abram Shook and Jenn Wasner.
This time the band’s secret weapon is film composer and percussionist Brian Reitzell, whose soundtracks include ‘The Virgin Suicides’, ‘Lost In Translation’, ‘The Bling Ring’, and ‘30 Days Of Night’. Reitzell’s arsenal of strange instruments emphasizes ‘Jet Plane And Oxbow’’s cinematic depth and scope and reflects the band’s choice to anchor the record in the era when digital technology was just beginning to transform the world of recorded music. In Shearwater’s hands this doesn’t feel like nostalgia; the racing synths and hammered dulcimers of heart-pounding opener ‘Prime’ or the addled motorik of ‘Radio Silence’ sound more like a metaphor for our own bewildering moment.
Available exclusively to independent retailers as a blue coloured double vinyl ‘Loser Edition’.