The Beths from New Zealand occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their...
https://driftrecords.com/products/the-beths-future-me-hates-me891662368815The Beths - Future Me Hates Me//cdn.shopify.com/s/files/1/0161/8690/products/CAK128CD_large.jpg?v=1531223428//cdn.shopify.com/s/files/1/0161/8690/products/CAK128CD_medium.jpg?v=153122342810.99GBPInStockThe BethsCarpark RecordsEverything In Stock at DriftIndie & AlternativeRecords of the Year 2018The BethsThe Beths from New Zealand occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard The Breeders / Jale / Veruca Salt.
CD is a four panel Digipack with 4 Panel Lyric Sheet Insert.
Limited First Pressing on Tangy Yellow Vinyl, 12" x 12" Lyric Sheet and download.
Front and center on these ten infectious tracks is lead singer and primary songwriter Elizabeth Stokes. Stokes has previously worked in other genres within Auckland’s rich and varied music scene, recently playing in a folk outfit, but it was in exploring the angst-ridden sounds of her youth that she found her place. From the irresistible title track to future singles Happy Unhappy and You Wouldn’t Like Me, Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis.
Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing, and also an RT fav, Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y. Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. “That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.” The result is nothing less than one of the standout records of 2018.Carpark RecordsIndie & Alternative2018-07-10