Real Estate - Days
Released in October 2011, Real Estate’s Days was such an instant classic that we delayed the printing of our Records of the Year magazine just to include it...
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Released in October 2011, Real Estate’s Days was such an instant classic that we delayed the printing of our Records of the Year magazine just to include it...
An album we have listened to hundreds of times over the last twenty years, but each play still offers something both new and inexplicably familiar, with a shadow of the...
Blurring the lines between swinging pop and finger-clicking jazz cool, The Sorcerer is irrepressibly stylish. A proper ‘wish you were there’ vibe.
An album of contradictions and contrasts, PJ Harvey’s Stories From The City, Stories From The Sea is absolutely full of life.
Emitt Rhodes’ eponymous debut is absolutely one of the most inspiring albums that we have ever heard; a baroque-pop masterpiece channelled from his parents garage.
The very embodiment of ‘create a vibe and leave them wanting more’, Arthur Verocai’s self-titled 1972 album is a perfect 29 minutes.
Cut is the debut studio album by The Slits, a curious gem of mutant grooves and avant production that bust out of the punk scene.
As the album approaches its thirtieth anniversary this late summer, we are today dropping the needle on Viva Last Blues; a flash of raw brilliance from the early Will Oldham...
This Sunday we are listening to ‘In My Own Time’, Karen Dalton’s second, final and beautifully beguiling album. A Sunday classic if ever there was one.
Recorded and released in 1954 on the Los Angeles–based Pacific Jazz label, Chet Baker Sings is the debut vocal album from the man dubbed the “Prince of Cool”.
Not so much ‘just an album’ more perhaps a cultural artifact, The Freewheelin’ Bob Dylan is an extraordinary record and it is on the stereo right now!
A stark masterpiece of songwriting and fragile performance, this week’s Sunday classic is the eponymous second album from venerated writer Elliott Smith.