Mdou Moctar - Tears Of Injustice

If Funeral for Justice was the sound of outrage, Tears of Injustice is the sound of grief.

Tears of Injustice sees Funeral for Justice completely re-recorded and rearranged for acoustic and traditional instruments. It is an evolution of the band’s critically-adored breakout – the meditative mirror-image to the blistering original.

“We wanted to make a separate version of Funeral for people to hear,” explains the band’s US-based bassist and producer, Mikey Coltun. “We’re always playing around with arrangements at shows. We wanted to prove that we could do it on a record, too. And there’s a whole other side of the band that comes out when we play a stripped down set. It becomes something new.”

They chose to track Tears sitting together in one room, keeping the session loose, stripped down, and spontaneous. “We didn’t really work on the arrangements prior to going in,” recalls Coltun. “We’d just play, find the feel, and do the song.” Things came together quickly, with principal recording wrapped in only two days. The hypnotic 8-minute take of ‘Imouhar’ is actually two distinct passes through the song performed in quick succession – Moctar didn’t stop playing long enough to split the takes apart.

On Funeral for Justice, anger at the plight of Niger and the Tuareg people is plainly expressed in the music’s volume and velocity.
On Tears, the songs retain that weight sans amplification. 

They are steeped in sadness, conveying the grief of a nation locked into a constant churn of poverty, colonial exploitation, and political upheaval. It is Tuareg protest music in raw and essential form. “When Mdou writes the lyrics, he typically writes them with an acoustic guitar. So you’re getting closer to that original moment,” says Coltun. “It retains heaviness, but it’s haunting.”