Piroshka - Love Drips & Gathers
Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories - a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After 'Brickbat' explored social and political divisions by way of what MOJO described as “Forceful, driving garage songs and dream-pop epics”. 'Love Drips And Gathers' follows a more introspective line - the ties that bind us, as lovers, parents, children, friends – to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.
“If Brickbat was our Britpop album, then 'Love Drips And Gathers' is shoegaze!” reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. “It wasn’t intentional; we just wanted a different focus. I’ve always seen debut albums as capturing a band’s first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.”
The way 'Love Drips And Gathers' changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening ‘Hastings’ sets the tone. Luminous drops of guitar underpin Miki’s becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn.
Framed by Mellotron, cello and piano. ‘The Knife-Thrower’s Daughter’ emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of ‘Scratching At The Lid’. The words ‘ethereal’ and ‘shimmering’ were surely invented for the likes of ‘Loveable’, but the uncanny DNA of ‘V.O.’ is less categorisable – a Bond theme in the making with electro-gliding beats, perhaps? ‘Wanderlust’ and ‘Echoloco’ might be described as Francophile cousins of Lush before the haunting lullaby of ‘Familiar’ segues into the pulsing, rippling instrumental finale ‘We Told You’ - more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, “the Miki-tron.”
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