Seamus Fogarty - A Bag Of Eyes
On A Bag OF Eyes, there is industrial judder, slacker-fuzz guitar, a cacophony of saxophones. On one track, ring-modulated drums kick in with oscillating fury. Another moves from 90s’ shit-hole grunge venue to sleazy jazz joint in four minutes. Whilst on a third, a synth is deployed with the express purpose of sawing the listeners’ ears in half, Fogarty attests.
However, beneath them lie fragments of melody, image, drone; a flicker of banjo, an electronic pulse. “I like to purposely make music that clashes with the more traditional stuff that I do,” he says.
Fogarty’s celebrated storytelling is at home in this new sound world, rambling between the fantastical and the mundane: nuns playing volleyball, horses on clifftops, lives glimpsed through rear windows. There are echoes of his own past, the loss of dear friends. Ireland, London, and two views of San Francisco, 15 years apart. It is bus stops, house fires and Jimmy Stewart.
Alongside the announcement, Fogarty has shared the first single from the album “Johnny K”, which nods to the sometimes uneasy state of an Irishman living in London with its lyric: “His brother died in England building tunnels for the liars and the Cavaliers.” Fogarty explains: “So that’s the Tories. And also the fact that some people in England, they forget how much foreign people have built the country.”
A Bag Of Eyes was recorded across London, Kent and East Sussex and features Fogarty’s partner Emma Smith, Meilyr Jones, long-time collaborators Leo Abrahams, Aram Zarikian & John Fogarty, as well as someone slightly more unexpected, an audience member recorded live at one of Seamus’ gigs in Dublin.
If there is a restlessness to these songs it is there not only in their geographical sweep, their mingling of memory and nostalgia, but also in their sense of invention: audience anecdotes, a trad ballad cover, electronic fury, dirty guitar solos, all pressed fiercely together into something that feels startling and new and explorative.
The artwork for A Bag Of Eyes is by songwriter Billy Steinberg (“Like A Virgin”, “Eternal Flame”) and is taken from an illustration of his original lyrics to the Divinyls’ hit “I Touch Myself”.
Wake Up Felix
Bus Shelter Blues
My Boy Willie
LP - Standard weight (140g) Black 12” vinyl. Printed inner sleeve. Download card.
LP - Deluxe Edition - (140g) Violet 12” vinyl. Printed inner sleeve. Download card.
Release Date: 6th November 2020
Format: LP or CD
Label: Domino Recording Company
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