Jonny Greenwood - One Battle After Another [Original Motion Picture Soundtrack]

Released via Warner Bros. Pictures in the UK on September 26, One Battle After Another stars Academy Award and BAFTA winners Leonardo DiCaprio, Sean Penn, and Benicio Del Toro, and Regina Hall, Teyana Taylor, and Chase Infiniti. In the film, washed-up revolutionary Bob (DiCaprio) exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa (Infiniti). When his evil nemesis (Penn) resurfaces after sixteen years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.

Anderson directs from his own screenplay. The producers are Oscar and BAFTA nominees Adam Somner and Sara Murphy and Anderson, with Will Weiske executive producing. In addition to Greenwood, the creative team behind the camera includes several other frequent collaborators, among them director of photography Michael Bauman; Oscar-nominated, BAFTA-winning production designer Florencia Martin; BAFTA-nominated editor Andy Jurgensen; Oscar and BAFTA-winning costume designer Colleen Atwood; and casting director Cassandra Kulukundis.

One Battle After Another is Greenwood’s sixth Nonesuch-released Paul Thomas Anderson film score. Previous recordings include soundtracks to Phantom Thread, Junun, Inherent Vice, The Master, and There Will Be Blood. Nonesuch also released his collaboration with Polish composer Krzysztof Penderecki Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia, his score to Tran Anh Hung’s film Norwegian Wood, and his performance of Steve Reich’s Electric Counterpoint.

Indiewire says of Anderson and Greenwood’s collaboration: “Paul Thomas Anderson fans are well accustomed to how instrumental Jonny Greenwood’s music is to the auteur’s body of work. Whether it’s the foreboding strings in There Will Be Blood or the discordant percussion in The Master, Greenwood’s original scores expertly capture Anderson’s tones.”