“Every song that’s nevermore sung/will sound again upon the Evernew Tongue”
Whether we understand the reference in the line, it sums up Alasdair Roberts’ approach as a singer and songwriter, now halfway through its third decade. Down the years, he has devoted himself to the history of traditional songs, playing them forward into our ever-evolving world as their meanings continue to evolve within him. Whether singing the auld songs, using inspiration from a line of text, or taking a time-honoured air as a starting point to a new song, he has pushed the tradition ahead in ways that few other singers and writers have approached.
Since his first two solo releases, a collection of traditional songs followed by one of original material, Alasdair has followed this pattern more or less over the course of a dozen albums. The Fiery Margin follows 2018’s What News, a collaboration with David McGuinness and Amble Skuse that took eight Scots ballads and focused them through the use of vintage keyboards and modern electronic techniques to make something new that was also in the tradition. Thus, The Fiery Margin is a new collection of originals, some of which draw elements from the songs, singing and thought of the last couple millennia. With that scope in mind, it’s safe to say there’s something for everyone here! On The Fiery Margin, he taps the percussive elan of Alex Neilson and the expansive bass playing of Stevie Jones, who have paired together with him on a couple of previous albums. On their previous encounter, Pangs, Alasdair focused on electric guitar, which gave the music a lean and wild quality that drew comparisons to the British folk scene of the classic rock era. The Fiery Margin has a diverse sound design, moving fluidly from acoustic to electric guitars while adding the nimble playing of Irish violist Ailbhe nic Oireachtaigh to embody and expand the parameters of the material. Additional players bring touches of accordion, pedal steel guitar, saxophone and barbershop vocals (!), aiding Alasdair’s process of excavating the enduringly mysterious roots of our shared music at a consonant, yet still enigmatic depth.
1 False Flesh
2 The Evernew Tongue
5 A Keen
6 The Stranger with the Scythe
8 Common Clay
9 Learning is Eternal
10 The Untrue Womb
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Nominated 'Best Independent Retailer' at the Music Week Awards in 2013, 2015, 2016, 2017, 2018, 2019 and 2020.
Nominated "Indie Champions" at the 2015 AIM Awards.