Birds of Maya


  • Birds of Maya - Valdez
25th June 2021 / LP / Drag City
"The album presents an opportunity to truly appreciate the relentless rumble that Killinger and Leaphart produce, through a combination of kosmische-rock velocity and soul-revue vigor that launches Polizze’s fretwork into the cosmos."

Birds of Maya



Eight years pass like nothing for Birds of Maya. Their fourth album kicks out the Philly jams with every bit as much fervour as their earlier releases - in fact, as it was recorded in 2014, it kind of is one of their earlier releases.

A long era of dull ringing and nothing else in our ears is over. Once again, winds of warm guitar and humid thunderheads of bass and toms rumble all around. With Valdez, Birds of Maya are back in flight. And like the first song title explicitly states, this latest is a soaring blast of riffs, rife with punk rock abandon, sludge, treble, distortion, neck-throttling rock ‘n’ roll solos, pummeling drums and bass and half-shouted/half-gargled vocals, all of it half on and half off the mic.

Valdez was recorded in 2014 at Black Dirt Studios in another- state New York. After a Purling Hiss session there, Birds of Maya got a bunch of tunes they liked into shape - that is, different shapes on different days. But nice shapes. Once they got to the studio, they loaded in and set up, curious to see how they felt playing in a different room. Pretty good as it turned out - running through the songs that first night, they accidentally recorded the whole album. Then they finished up the next day, mostly. Trading the crushed harmonics of their basement tapes for studio-grade mics, overdubs in the mix and only slightly less- bruised harmonics, their roiling essence not only survives but thrives, non-stop, on ‘Valdez’, stuttering, screaming and stomping through six circuitous numbers.

At the time this was recorded, Birds of Maya were standing on the other side of ten years kicking around town, suddenly far away from the primordial ooze they’d flopped forth from. The streets where all this had happened on were changing, with new money rolling in, but they were the same old Birds, content with their libations and ear-splitting variations on old favourite Stooges chords. The cover art of Valdez is a couple of images from those days, glimpses at the old grassroots before they were ripped up by developers to build condos. But nothing ever really goes away. Valdez is a totem of the wildness that refuses to be tamed.

Format /LP
Released /25th June 2021
Catalogue / DC835
Barcode / 0781484083511
Artist / Birds of Maya
Label /Drag City
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