The recordings here actually represent the genesis of the whole Cavern Of Anti-Matter project: commissioned by artist Nicolas Moulin to come up with a double album of original material, Tim Gane (formerly of the much loved Stereolab) hunkered down in his home studio for three weeks with a collection of old sequencers, drum machines and analogue synths. With the assistance of Joe Dilworth and Holger Zapf he produced the 16 tracks that comprise ‘blood drums’. The initial pressing sold out instantly and offers followed to play live and make more records. As a result of this positive response, Cavern Of Anti-Matter have gradually evolved from one-off experiment to full-time band.
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