During the creative process, the line between what was calculated and what was a total “happy accident” became very blurry, and I just went with that, which resulted in the type of sound that it has. Live sequencing synthesisers while jamming to this on other instruments, like bass or electric piano, seems like a pretty basic concept, but I had not really explored this interaction and it’s full potential in depth before. I found it a very exciting and liberating feeling, to feel both focused and precise and totally free at the same time while working alone in the studio. I’ve always been able to immersive myself in something very intimate and personal, and to really escape to another place while I’m working alone. Also, the mood of Lisbon and the area where I live became very present, as I often went on solitary walks, mainly at night. To me, the city holds something almost mystical and very powerful, which can be very present in the area I live, and it undoubtedly found its way into these two tracks.
The first ideas for “Fading Cosmos” came after conversations I had with my brother, about the tragic reality that the endlessly rich cosmos around us is rapidly becoming invisible because of an increase of artificial light, leaving us in the solitary darkness of human progress. I wanted to offer some potential visibility into our cosmic neighbourhood with this track, but also to escape into a world of wonder and mystery.
“Autumn in Lisbon” was written after walking around on a beautiful but stormy autumn day in Lisbon, not long after I moved there. The air was full of changes and a mysterious future was showing her powerful presence while hiding her face.
Both tracks feature acoustic guitar, synths, bass, drums, percussion and electric piano, all greatly manipulated via analogue tape. It was mastered by Simon Heyworth, who did an amazing job on it. I felt the same about his work on Somnium, so I naturally asked him for this EP as well, and I'm very happy with it. Every time I can feel the immense experience he has in making otherworldly creations feel truly immersive. I'll likely work more with him in the future if he's up for it as well.
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Nominated 'Best Independent Retailer' at the Music Week Awards in 2013, 2015, 2016, 2017, 2018, 2019 and 2020.
Nominated "Indie Champions" at the 2015 AIM Awards.