Kevin Martin’s first solo full-length album under The Bug moniker for seven years could not be better timed, and could not be more needed: ‘Fire’ - the third exhilarating part of an incendiary urban triptych, that began with 2008’s explosive ‘London Zoo’ via 2014’s mind-melting 'Angels & Devils' - is fourteen tracks that immolate the synapses, flail the body, that cinematically take you from arcing evocations of a bleak lockdowned city-scape to swooping deep-focus close-ups of Martin and his collaborator’s psyches at breaking point.
+ Indie 2LP features a silk screen gatefold sleeve with yellow and red vinyl.
+ Standard 2LP is light grey vinyl.
The aggression, the attitude, the vertiginous scope and subterranean incisiveness, the destabilising unsettling frenzy of The Bug sound is marshalled to perfection throughout but ‘Fire’ is no mere reanimation of the Bug’s past - for Martin, the album is both a response to the unique circumstances of the past year but also a chance to reflect his own journey from reclusive sound-obsessive to family man, and his thirst - in a period of enforced hermetic isolation - for contact, for the mayhem that can only happen between people, noise and bass, the derangement of the senses that has been Bug’s method and trajectory ever since it first crawled out of London’s deepest corners in the late 90s. It’s the Bug’s best yet, possibly the most ferociously realised and immensely moving music Martin has ever made, and still touches on those initial cravings and impulses that first propelled ‘London Zoo’ into your world like a pipe bomb through your letterbox. It’s a HUNGRY record in all senses.
" I've always been addicted to the physicality and intensity of sound: I started The Bug because I wanted to make music for a sound-system I had in storage, and the live experience of The Bug has always been something I wanted to reflect on record - I’m always looking for fuel to the fire and live shows - and MISSING live shows in lockdown was a real impetus” Martin admits. “I’m always asking - how can I ramp this up MORE? How can I get people more out of control? For me a live show should be unforgettable, should alter your DNA, or scar you for life in a good way - that’s always been my goal, to set up shows that are unforgettable. I like friction, chaos, fanning the flames with sound, and this album is the most reflective of the live show in terms of intensity and the sheer fuck-off attitude of those shows. ‘WHAT the FUCK?’ is the reaction I want - insane is a good reaction especially at a time when there’s so much control in how people consume music and are pacified culturally”
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Nominated 'Best Independent Retailer' at the Music Week Awards in 2013, 2015, 2016, 2017, 2018, 2019 and 2020.
Nominated "Indie Champions" at the 2015 AIM Awards.