Unloved's debut EP Guilty of Love, and the full-length, self-titled album that followed in the Spring of 2016, offered a quite remarkable thing: a sound at once hauled out of the silty depths of the past, and simultaneously wholly modern. There was the soft hiss of a lo-fidelity recording, the murky crackle of sample, beats, half-remembered, long-lost favourite tunes. But much of the songs’ success belonged to Vincent’s sublime voice and lyrics, both possessed of an aching, rich-smoked tone of loss and love.
Unloved’s second album Heartbreak is about love. The album plays out each song like a vignette of nothing but love. The songs that rose up were in some ways surprising, but also felt insistent. “They’re real feelings and real experiences that I had the guts to finally say, but always ambiguous, this is very important to me.” she explains, “and always about love, one way or another. Sometimes it’s hard to say how you feel,” says Jade Vincent. “These songs are vulnerable stories for me to tell — they’re things I couldn’t say out loud. But I found that I could sing them. And then I closed my eyes when they would listen.”
Listening to Vincent’s songs were her partner, the producer/composer Keefus Ciancia, and the DJ and producer/composer David Holmes. Together, Vincent, Ciancia and Holmes make up Unloved, the musical project that evolved out of a late-night Hollywood bar in 2015, released a stunning debut album the following spring, and this year crafted the soundtrack to Phoebe Waller-Bridge’s acclaimed new series Killing Eve. Heartbreak, is a record emboldened by its predecessor to be more emotionally exposed, more musically, lyrically, and vocally audacious. In the words of Holmes: “We just get together, had a load of ideas, and Jade went off and wrote and wrote. She got deep and deep. She has an amazing story. They are amazing songs. She excelled herself.”
To enter the world of Unloved is to surrender oneself to a great musical immersion, one that seems to occupy the space somewhere between past and present, where thoughts soften and ideas mingle with twisted mancini-esque orchestrations, where music binds the dawn and dark.
6 Devils Angels
9 Fail We May Sail We Must
10 Love Lost
11 Crash Boom Bang
12 Boy and Girl
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Nominated "Indie Champions" at the 2015 AIM Awards.