Our Record of the Week is Traditional Techniques, Stephen Malkmus' third solo LP without the Jicks (or Pavement)... That said, Matt Sweeney appears almost throughout... which is just superb news! Ten songs of...
Our last Record of the Week for February is the return of The Orielles with the excellent Disco Volador. On the surface it sways along with deliciously wonky vibes, but listen carefully and...
After two feverishly received albums as King Krule, plus another low-key outing under his own name, Archy Marshall returns with Man Alive!, our Record of the Week and possibly his most rounded work...
Record of the Week is The Slow Rush, the return after a five-year absence from Kevin Parker's Tame Impala. It has been meticulously produced, you only need to take a few minutes...
To mark the tenth anniversary of the release of 'I’m New Here', the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, acclaimed...
Record of the Week for the last time in January is Mystic Familiar, the new album from Dan Deacon. His first new album work in a few years - following lots of...
Record of the Week is a MIGHTY return from the Atlanta-formed Algiers with There Is No Year. They have always been intense, but this new release is pure fire, expanding upon the doom-laden...
Following last Summer's glimmering Started Out / About Work The Dancefloor 12"s and a euphoric set at Glastonbury, Georgia makes a hugely welcome return on Domino with her second studio album, Seeking Thrills. Inspired by Chicago House and...
MAY
Politically pertinent, socially frenzied and sonically wild, Mdou Moctar’s Funeral For Justice is absolutely vital.
FEATURE
One of the most beautiful albums that we’ve ever heard; Green doesn’t just create a mood, it is an entire world of serenity and imagination.
PLAYLIST
Staff curated and updated weekly, this is all the new things and all the old things that have been getting loads of plays at Drift.
FEATURE
Released in September 1970, Curtis is the eponymous solo debut from Curtis Mayfield, an album soothing soul and biting social commentary.
