Starting with the newest titles, bellow is all the Folk & Traditional that we currently have in stock at Drift. You can view the full list of everything we've had in recently here and get in touch if you're after anything in particular.
Folk & Traditional also incorporates some Field Recordings and Blues.
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https://driftrecords.com/products/jack-rose-kensington-blues95205900Jack Rose - Kensington Blues//cdn.shopify.com/s/files/1/0161/8690/products/VHF92_large.jpg?v=1571438519//cdn.shopify.com/s/files/1/0161/8690/products/VHF92_medium.jpg?v=157143851915.99GBPInStockJack RoseEaster 2016Everything In Stock at DriftFolk & TraditionalJack RoseMusic Released in 2012SALE2016VHF
Kensington Blues is the fourth full-length release from Jack Rose and his most diverse outing by far. The album is an inspired mix of styles and sounds, with straight ragtime, heavy 12-string, and that sweet, sweet Weissenborn lap guitar all checking in. Honed during endless touring in 2004, the repertoire here is delivered with maximum authority in a series of first-take performances recorded in early 2005. “Cathedral et Chartres” and “Calais to Dover” are dense, brooding 12-string numbers, recalling the key tracks on 2004’s Raag Manifestos; “Rappahanock River Rag” and “Flirtin’ with the Undertaker” are pure syncopated ragtime; the epic “Now That I’m a Man Full Grown” was the signature piece of many live shows, a display of mind-boggling slide invention that straddles the line of East and West à la “Yaman Blues” from the Opium Musick LP. In something of a surprise inclusion, Rose’s take on John Fahey’s “Sunflower River Blues” (long a staple of Pelt and solo gigs but never included on a record) is subtle and expressive, with a wonderful rise and fall that perfectly accentuates Fahey’s beautiful melody.
Kensington Blues Cross The North Fork Cathedral Et Chartresadd Rappahanock River Rag (for William Moore) Sunflower River Blues Now That I'm A Man Full Grown Ii Flirtin' With The Undertaker Calais To Dover