Dorothy Ashby & Frank Wess - In A Minor Groove
A pioneering harpist and one of the true jazz greats.
But she was always fighting an uphill battle in terms of garnering critical and commercial success; both her gender and the exoticism of her instrument often prevented her from being taken seriously among the hidebound environs of late '50s and '60s jazz. But it is that very uniqueness of her sound and station in the jazz world that has made her one of the most collectible musicians of her era, as her music has been sampled and celebrated by modern-day hip hop and world music artists (e.g. Jurassic Five, Bonobo) alike. In a Minor Groove is one of two albums she made in 1958 with flautist/saxophonist Frank Wess, and it is a marvel; backed by fellow Detroit native Herman Wright on bass and the great Roy Haynes on drums, she and Wess weave mesmerizing melodic threads through standards like "Alone Together" and "Yesterdays." But perhaps the most amazing track is "Bohemia After Dark," which displays Ashby's uncanny ability to turn her harp into a rhythm guitar!
For this first-ever domestic black vinyl reissue of ‘In a Minor Groove’, we are using the original mono sources—not the rechannelled stereo and jumbled track listing that showed up on Prestige's later repackaging called Dorothy Ashby Plays for Beautiful People.
Original album art with Ira Gitler's sleeve notes, too.
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